Essay/Term paper: Norse mythology
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       The book entitled "Norse
Mythology" by Karl 
  Mortensen, is the book I chose to read for my first
  book report for this semester. The book was 
  translated from the Danish
by A. Clinton Crowell. 
  Karl Mortensen was a doctor of philosophy whom 
 attended the University of Copenhagen.
      The first part of the book is
the general 
  introduction. Here, you find the author's meaning 
  of "Norse
mythology" and where he got his 
  information. He says,
            
 
            By  "Norse   mythology"  we  mean   the  
            information
 we  have  concerning  the   
            religious conceptions and usages
of our 
            heathen forefathers,  their  faith and  
           
manner of worshipping the gods, and also 
            their legends and songs
about the gods  
            and   heroes.   The   importation   of    
           Christianity drove out the old heathen  
            faith, but
remnants or  memories of it  
            long endured in the superstitious
ideas 
            of the common people,  and can even be  
            traced
in our own day.
  
      In the general introduction, the author tells 
 us why we teach Norse mythology. He tells us that 
  for us, Norse mythology
has in any case the 
  advantage of being the religion of our own 
  forefathers,
and through it we learn to know that 
  religion. This is necessary if we
wish to 
  understand the history and poetry of our antiquity 
  and to comprehend
what good characteristics and 
  what faults Christianity encountered when
it was 
  proclaimed in the North. Finally, it is necessary 
  to know the
most important points of the heathen 
  faith of our fathers in order to appreciate
and 
  enjoy many of the words of our best poets.
      "Norse Mythology"
is comprised of four main 
  sections. The first section contains the creation
  myth, which is extremely confusing because it talks 
  about brother's
aunt's cousin's children from 
  second marriages and what importance they
were in 
  those golden times. It's quite hard to understand, 
  and I had
to read it over twice to make sure I 
  understood. The second part of the
first section 
  discusses the creation of the gods and the stories 
  of
their lives. And the last part is entitled 
  Ragnorak, which stands for the
enemies of the gods. 
  All of this was quite interesting to read.
     
The second section of the book talks about 
  common popular belief. It says
that our 
  forefathers, like other heathen people, found one 
  of the plainest
proofs of the soul's independence 
  of the body and its ability to take a
hand in the 
  affairs of living men in the nightmare and dream, 
  as they
lacked all other means of explaining those 
  things. They therefore took
it for granted that 
  they were spirits, usually in the form of animals 
 or men. Through the smallest crack or crevice the 
  nightmare slips to the
sleeping one, and torments 
  and troubles him so sadly that he becomes ill
or 
  that it causes his death. It is felt as an 
  oppressing weight upon
the breast or throat; the 
  mare "treads" or "rides" the sleeping one from
his 
  legs up to his body and thrusts his tongue into the 
  victim's throat
to hinder him from crying out. The 
  Northern people have clung this very
day to their 
  belief in the "mare" as a supernatural female 
  being, and
many legends about it have arisen. A 
  "mare" can slip out only by the same
way that it 
  came in; if one stops up the opening, it is caught. 
  The
same thing happens if one names its name.
             In  the  Ynglinga Saga
 it  is told  of  
            King Vanlandi,  who  had  betrayed his  
           Finnish  bride,  Drifa,   that  he  in   
            punishment
for that had been killed by a 
            'mare' with which the magic arts
of the 
            Finns had  tormented  him.  He  became  
           
suddenly sleepy and lay  down to rest,  
            but when he had slept
a little he cried 
            that a  'mare' was  treading  him. The  
           king's men hastened to his assistance,  
            but when they
turned  to his head, the  
            'mare' trod upon his legs so that they
 
            were nearly broken, and if they went to 
            the legs,
she was directly occupied at  
            the head; and so the king was actually
 
            tortured to death.
  
      Also found in the second section
are chief gods 
  and myths of the gods. Here, there are stories told 
 
of Thor, Odin, Frey and Njorth, Heimdall and 
  Baldur, and Loki. It comments
on the various 
  thresholds crossed by these great gods, and the 
  things
that they accomplished.
      The third section is rather short, but it is
  solely focused on the forms of worship and 
  religious life. It tells
of the Norse temples, or 
  Hofs, which means in general "a holy place." The
  Hofs were large square, occasionally round, houses, 
  built in the same
style and of the same kind of 
  material as the common dwelling houses.
           
              Just  inside  the   door  of  the   Hof  
    
       stood the posts  of the  high seat, in  
            which were fixed
great  nails, but the  
            meaning of these is  not known. At the
 
            opposite end (the  Korrunding or apse)  
            stood
the images  of the  gods, and in  
            front  of  them  or   under
 them  the   
            splendidly ornamented Stall, which one  
     
      of the Icelandic sagas compares with the 
            Christian altar.
Upon its iron-covered  
            upper side burned the sacred fire which
            must never be  extinguished, and there  
            also lay
the open  silver or gold ring  
            upon which all oaths must be sworn.
The 
            ring was moistened in the blood of the  
            victim,
and on all festive occasions the 
            Gothi had to wear it upon his
arm. Upon 
            the Stall stood also a large copper bowl 
       
    with  a   sprinkler   (hlautbolli  and   
            hlauttein). In the
bowl the blood of the 
            victim_animal or  man_was  caught  and
 
            sprinkled over those who were present.  
            The  Stall
 also,  perhaps  the  whole   
            interior of  the temple,  was reddened
 
            with it. The statues  of the gods were  
            most often
 clumsy images  carved from  
            wood, and were set up  on the Stall
or  
            upon  a   pedestal,  and   dressed  in   
            accordance
with the  festal costume of  
            the period.  That there  was  always
a  
            hammer in the hand of Thor's image there 
            can
be no doubt.
  
      The last section of the chosen book is full of 
 
hero sagas. You'll find the stories of The 
  Volsungs, the Helgi sagas, Volun
the Smith, The 
  Hjathningar, and Beowulf. These are great stories 
  that
beautifully follow the hero cycle.
      The conclusion of the book talks
about how 
  these stories reflect on us. It comments on our 
  strengths
and our weaknesses. It also refers to the 
  people's beliefs concerning death,
courage, 
  respect, and faith.
      I absolutely love this book. It's extremely
  old_copyright 1913! It really made me look deep 
  into myself. I am of
Norwegian origin and it was 
  quite interesting to learn about what my 
 forefathers believed and how they worshipped. My 
  absolute favorite Norse
hero has to be Thor. He 
  represents power. He's extremely powerful and 
 courageous. He also doesn't have too much 
  compassion for his enemies.
He never hesitates to 
  crush them with his almighty hammer. Thor is my 
 hero_let his stories live long!
   [Do I recommend the book? 
 Absolutely.
You can find it at 
 the OSU library. It's on the 
 main floor and the call
number 
 is BL860. Be careful with it, 
 though, the pages are falling 
out.]
                                
                                
                               
                                
       
 Bibliography
  
  
  
  ù    Mortensen, Karl. "Norse Mythology." Thomas
Y. Crowell  
            Company, New York, NY. 1913. 
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